Saturday, February 25, 2012

Powder Dreams by David Ward-Nanney

My Amazon package arrived with three great books on Thursday.  I just started Powder Dreams that night and have only had evenings to read it after work, but I'm already along for David Ward-Nanney's wild ride. Be forewarned, there are a few mild spoilers in there. The style is more straightforward than I've been reading lately (what with rereading some of my favorite books by A.S. Byatt and Iris Murdoch.  So I was in for a bit of a culture shock, but the story is a great story so far and I haven't even reached the Jungian part yet (a realistic section about the protagonist undergoing analysis, form what I've read in the reviews by Jungian analysts), which was why I bought it.  Since my son is a skateboarder, I can relate to how he writes about skiing to a degree - I know it;'s not the same but there's an element there that draws people like my son to being able to ride the "air," not to mention the whole aspects of speed and control.
Ward.-Nanney's description of being buried beneath an avalanche was a revelation and frightening at the same time.  I can't believe his ability to reason while in such a situation.  The one part of his brain was so professional, so oddly detached, allowing him to think and find a way to let his skiing buddy rescue him.  A brilliant piece of writing so far - gonna go off and see how much I can read today in between movies with my granddaughter, Kendall. 

Sunday, February 19, 2012

Individuation after mid life

The Individuation Process - one of the most important aspects of Jung's work, up to which all his techniques, methods, agonies and mistakes, insights and writing lead, is said to be the journey in the second half of life.  While the first half of life is a  Hero's Journey, the fool stepping out into outer world to develop an ego strong enough to withstand the descent into the unconscious, the second half of life is an entirely different kind of journey, sustained and only effective in the inner world as a search for the true self and a spiritual nature, which is not respected or supported in the outer world, but is necessary for teaching the younger generations and the healing both of the self and of those one encounters, perhaps even the world despite the limitations of society.
Without the Hero's journey, individuation is  a precarious path, one which can lead to wholeness and authenticity or to destruction as in the case of the Neitsczhes, Morrisons, and Cobains.

I've been on this spiral journey for years now, often stepping off to embrace life on a more simplistic level,  but the nudge comes, often from a depression of a unexplainable lethargy.  I stop listening to music, avoid writing, stop cataloging my dreams. Often it is some synchronistic event which kicks me "awake" and then I can't turn back.  That event this time was the lecture on Carl Jung on his Red Book. It has set me off on a whirlwind journey this time, back to the realms of Ishtar and Hecate, Orpheus and  Hermes, and a return again to Lily, Jacob, and writing more about Alex and Mavis of my published novel Shaman Circus, and an unfinished second novel Shaman in Exile. 
With the sight of so many people at the lecture on Jung and all those who joined the webinar  on the movie, A Dangerous Method, at the Asheville Jung Center, as well as carried on a highly animated conversation on the website's blog, I felt like I'd find what I'd hoped to find more than 20 years ago, people in the area interested in Jung. I even started looking for a Jungian therapist in the Greenville area, but unfortunately cannot find one, or even a discussion group - not unusual in the type of city Greenville is and the fact that most of those interested in Jung are introverts and not likely to shout of their interest to the outside world. So it looks like I'll have to revert to my usual methods which I came by out of desperation but ha e since discovered are techniques Jungian analysts suggest to their patients - painting, writing, poetry, recording and examining dreams,active imagination (which I've done often since being a shy and introspective child), even dance.
Introverts tend to find the path of individuation quicker than extroverts, who feel comfortable in and who rely on the outside world. And while my childhood was lonely and painful as an extreme introvert, I am grateful now. Turning inward is natural to me and to accomplish the lifelong task of individuation - the wholeness of the self, as opposed to the fractured person we often become thanks to the pulls of various aspects of society, we must be able to go inward - into the "pit" (as I call it), the dark and frightening places, the basements and caves for that is where we meet the sides we have repressed - but along with their frightening actions and aspect, they offer gifts, gifts of pieces of ourselves who we've cast off, judging them unfit for social consumption - which often is suggest by a society threatened by change.
  I hoped it would happen and it did - re-reading lots of Jung, alongside novels (currently Babel Tower) by A.S, Byatt, with Jungian undertones sets of dreams.
I've been really fortunate that in the midst of a couple of very stressful weeks at work in finding the best ways to care for my clients (I still find it out that I'm now a civil servant who can't talk about their job in any detail) I'm surprised that lately I've stopped dreaming about work and am dreaming some of those big dreams, Jung wrote of.  They're easily recognizable to anyone who has kept dream journals off and on for more than 30 years. My dreams often have the same elements, such as water, sometimes calm and welcoming like a pond, which often means good things to me or at other times wild and rushing oceans taking over whatever house I'm in during the dream. The night before last it was the basement of a cottage without a cottage on top -  that ones easy to figure out.  There were these huge bashing waves, like tsunamis hurling massive amounts of huge tree trunks as a if a log jam had just been broken up and they were curling to crash into the place and bury it when I got out the back door. 

Thursday, February 16, 2012

Jung's influence on the Novel - a plan

I've devised a new plan of study which I think will be highly entertaining and enlightening for me as a novelist (attempting to finish two novels and edit another.)
 I can't believe I've never though of it before. But it will be a study of novels influenced by Jung o the type of thought Jung taught. The idea came to me thanks to an amazing confluence of events, books, music influences brings the spiral around to one of those pivotal transitory times.  In the past few weeks, I've attended the Jung webinar on the film, A Dangerous Method, read a ton of books on Jung and by Jung, taken my granddaughter to art shows, cello concerts and have just had fun playing with her and her Monster High collection - all circling around, as Jung liked to do in his writings to view a concept from every possible angle.  Of course, with me the astrological and alchemical aspects are always flitting through my mind as I dive in and then attempt to stand back and observe. Books are once again fining their way to me after being referenced in some other, sometimes obscure volume and some quite by accident. New authors and old friends.  So now I also have a cache of Jungian style novels waiting for me even as I attempt to catalog and perhaps review the many in the past I've enjoyed and the particular stand outs (most notably, The Magus by John Fowles (unrevised edition - by far what I consider the best novel using Jungian approaches ever written - the novel which changed my life and which I read every year), Cymical Wedding and Alice's Masque by Lindsey Clarke in addition to The Virgin in the Garden and a number of other books by A.S. Byatt, not to mention books by Iris Murdoch and Doris Lessing. These all led, or sometimes even shoved, me onto my own particular journey into Jungian though and my own subconscious.  It helps that my dreams are cooperating as well, and I've once again started a dream journal, which I'd out away for a number of years.
The books I have waiting for me at the moment are Lindsay Clarke's, The Water Theatre, Timothy Findley's,  Pilgrim (where Jung is an actual character in the book) and Powder Dreams by David Ward-Nanney, where one the characters enters analysis, a topic which often defies description).   
Reviews and perhaps comparisons to come.
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